
Lenses
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There is a huge array of different lenses available for your SLR. Which one(s) should you consider buying?? Well, let's review the purpose of each lens and then we'll get into the practicalities of lens buying. Important Concepts... The further a lens is moved away from the film, the more magnification takes place at the cost of lost light - i.e., less light will reach the film. All lenses have flaws or "aberrations" - better quality lenses don't exhibit them as much. For example, some lenses can't focus all colors on the same plane. Therefore some colors will be in focus, while other colors won't. This can be a serious flaw in a lens and almost all lenses suffer from this to one degree or another. Some lenses are designed to focus all colors on the same plane. Different lenses record color and contrast differently. Better lenses often deliver higher-contrast, more pleasing images than poorer lenses. Same thing with colors and color saturation.
Important Terms... Focal length can be defined as the distance from the film to the optical center of the lens. What if you were to take a magnifying glass and position it about one inch from some text. How much magnification would there be? Now, position it 2 inches from the text - more magnification. No position it 10 inches from the text - it's now completely out of focus. Voila, the concept behind Focal Length! The further you move the magnifying glass from the text, the bigger it gets. Some lenses are designed to be further from the film and some lenses are designed NOT to be further from the film. The further you move a lens from the film, the more magnification you get. Longer focal length lenses (lenses which are designed to have their optical centers positioned further from the film) provide more magnification. Shorter focal lenses provide less magnification.
Lenses can be broken down into the following broad categories:
Wide angle lenses
For taking pictures of groups of people or landscapes, wide angle lenses are invaluable. But you don't want to go TOO wide. Since wide angle lenses tend to exaggerate perspective, you have to be careful with these lenses when taking picture of vertical objects (like people!). A focal length of 28mm or 35mm is a very good lens for taking groups of people. They can "see" a wide area (i.e., the group of people) but they don't visibly distort vertical lines. Be careful with 20mm or below though. For landscape pictures, my personal favorite is between 17mm and 24mm. Those focal lengths are wonderful for landscapes. Also, remember that wide angle lenses provide GREATER depth of field than normal or telephoto lenses which can be a benefit for landscape pictures A couple of warnings about VERY wide angle lenses (i.e., 24mm and below):
"Normal" lenses
For a 35mm negative, that's about 43mm. Here are some "normal" focal lengths:
As you can see, a normal lens for 35mm film is about 43mm - usually rounded up to either 45mm or 50mm. The normal lens for a 120 negative that shoots a format that's 2¼" square is about 80mm, etc. What makes this a "normal" lens?? Not much. I guess it has something to do with the magnification is about that of the human eye. But for photography purposes, "normal" lenses are anything but normal!! Don't get me wrong, there's nothing wrong with them, but they tend to produce flat pictures without much pizaz. Wide angle and telephoto lenses provide much more interest in a picture because they tend to either open or compress perspective.
"Telephoto" lenses
I won't go into the cost, but the 600mm/f4 can cost as much as a small car! Telephoto lenses are tempting - but they're generally more expensive and less useful than wide angle lenses. Short telephotos (i.e., 85mm - 135mm) are excellent for portraits of people. They slightly compress perspective which is a good thing in portraits. If you take a portrait with a wide angle lens, the person might come out with a big nose (even if they don't have a big nose). This is because wide-angle lenses expand perspective. Since telephoto lenses compress perspective, short telephoto lenses make people look very "normal" and pleasing (although there are some people which NO lens can help! :-) Long telephotos can be used for photographing wildlife at a distance. But be aware, that it takes a BIG telephoto to photograph most wildlife - unless it's very near and big. Depending upon the situation, I've been able to successfully use a 300mm lens to photograph large birds (herons, etc.) at close distances. If they are not unusually close, a 600mm lens is usually not enough! Most bird photographers use between 600mm and 1200mm focal length lenses to do their work. For most of us, the cost would be prohibitive!
"Zoom" lenses Zoom lenses provide a lot of utility, but do have drawbacks. On the plus side, you can use one lens for most of your photography. On the other hand, zoom lenses are often slower (i.e., largest lens aperture is often smaller) than prime (non-zoom) lenses. This smaller aperture means they're harder to view thru as there's less light in the viewfinder and focusing can be more difficult. Performance-wise, zoom lenses can be close to that of a prime lens, but not always. The low-end zoom lenses sold by most major manufacturers (Nikon, Canon, etc) are often very poor quality lenses that they sell very inexpensively. Good quality zoom lenses can be quite expensive. Depending upon your needs, you may find a zoom lens very useful. Zoom lenses can be classified into several categories:
The ultra-wide zoom lenses do well for landscape photography. The standard zoom lenses usually cover a range from wide-angle to short telephoto. They are often good all-around lenses. The telephoto zoom cover a range that may or may not be useful to you. If you were do people-portraits, you really wouldn't need a zoom lens, but a fixed-focal length lens of about 100mm. If you want to take wildlife photographs, a telephoto zoom wouldn't be much use unless you zoomed all the way in - in which case, you wouldn't need a zoom lens! If you do both people portraits and wildlife, they may be a worthwhile lens for you. The Do-it-all zoom lenses are usually a poor choice unless you don't want to have to carry more than one lens. They often cover a very large range of focal lengths and usually aren't very high quality. There's a physical design problem in trying to create one lens to do everything well. These lenses are a compromise at best.
"Macro" lenses
There are other ways of getting close-up pictures including extension tubes, bellows, close-up add-on lenses, etc.
"Tele-extender" lenses
There is often a decrease in sharpness also as well as a lost ability to auto-focus. But they are an inexpensive way to increase your telephoto capability as well as to increase the versatility of your lenses.
Practically speaking... Watch, read and ask questions on the Internet news groups for information on a piece of equipment you're thinking of buying - and don't consider any one response too highly!
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